You may have to go to the “Pad Pages” section of the Control Editor software, and enable Group A. #Loading maschine jam controller editor software#Set the Pad Velocity Curve to Soft 3 in the Template section of the Control Editor software (Soft 3 is the closest sensitivity to “Maschine Mode” (it’s REALLY close… like, almost exact). Rename it to “Maschine in REAPER” or whatever you want.ġa. Open up the Controller Editor software, and pick a template to use. Maschine’s “Controller Editor” software setupįirst set the controller sensitivity to Maximum in Maschine’s File menu.ġ. Now we have to do a lot of configuring in Maschine’s “Controller Editor” software. It IS changing the midi channel for each group. *Maschine looks like it’s doing a global thing with the channels (showing the last channel number you selected, even though you’re on a different group). Once this is done, right-click the Group name directly to the left of your Scene view, and choose “Sound MIDI Batch Setup.” Select “Sounds To Midi Notes”.įor Group A (Channel 1), choose Channel 1.įor Group B (Channel 2), choose Channel 2… so on, so forth. This is easily done by first dropping a sample (any wav file) onto a single pad in each Group (so the group is active/highlighted). Set Maschine to route each Group to a certain MIDI channel. Set track 1’s MIDI input (in REAPER) to “Map Input To Channel” and then select Channel 1.ĭo the same for all the other tracks– track 2 will be mapped to Channel 2, track 3 will be mapped to channel 3, etc. Repeat for all other tracks and groups.Ĥ. Name track 2 “GROUP B” or “B” or whatever you like. Name track 1 “GROUP A” or “A” or whatever you like. *Set each of these tracks to “RECORD: OVERDUB” by right-clicking the record arm icon (this is important especially when you’re looping a section and building a pattern).ģ. *Make all of their inputs be MIDI: ALL INPUTS, and set each track’s record mode to “Automatic Record-Arm When Track Selected” (right-click the record arm icon). This is the #1 reason I prefer using Maschine as a VST… for sample-chopping (quickly and easily), and tapping these chops out to pre-made loops just to get a song idea going, and fast. and BONUS- you get REAPER’s Media Explorer, and time-stretched looping. This configuration is great if you prefer to use REAPER’s sequencer and do a lot of MPC-style sample chopping and whatnot. I’ve since found that it’s actually VERY advantageous to go into Controller Mode with Maschine, once everything is set up properly with REAPER. Last weekend I worked hard on getting Maschine to work great as a VST inside REAPER (multi-timbrally), without going into Controller Mode. #Loading maschine jam controller editor full#Maschine as VST in REAPER – FULL TUTORIAL plus Controller mode config Big thanks to Chris for sharing this great tutorial. When I came across the tutorial it looked too good not to share. This is a guest post from Chris Caulder, originally posted on the forum.
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